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Home / News > How to use the equalizer cleverly when recording vocals


How to use the equalizer cleverly when recording vocals

From a strict definition, the vocal part is the focus of a "vocal song." However, it is not easy to mix the vocals well enough to make it sound transparent, especially when using a lot of electronic music as the background. So, here to give you some clues about the equalizer tips and techniques, so that we can improve the vocal mixing quality. First, keep in mind the law of what to get in / what goes out: this is a prerequisite for satisfying voices and satisfying recordings. I do not want to educate your singer here, do not want to naggingly hope that he or she smoke and alcohol and other unhealthy habits are all quit, do not want to discuss the microphone and microphone preamp common sense, or Is compression, reverb or delay effects of the use of skills. I want to talk about is the equalizer. If you're not deliberately pursuing one and its uncommon vocal effects like a fully flattened human voice, extremely sharp / bass techno-sound, or the kind of sound on beats by dr dre a long-distance call, just using the equalizer properly Greatly enhance the expressiveness of your music. My preference is to essentially turn off the faders around 125 to 240 Hz, pulling down the 2.5 to 3.5 kHz faders a bit to attenuate some of the dB so that those very sharp frequencies can be removed, while the frequency bands 10 to 15 or 16 kHz The range will have to be raised to highlight the melody strongly. All those common, uncertainties (singers, microphones, etc.) will ultimately Beats Headphones On Sale" href="/">Beats Headphones On Sale determine what kind of equalizer you should use, but as a starting point, this is the rationale that should be mastered. The current trend is that kind of crisp main tone, treble clear, bass is also good but does not tip. The mix of vocals and bands should be kept in the correct proportions, and from the very beginning, beats by dre studio I switched off some of the bass using a high-pass filter. Some microphones and most mixers have built-in filters. The frequency range of these commonly used frequency bands varies according to the hardware design or manufacturer (for example, 6dB per octave and 100 cycles or less), which are generally from 60Hz to 200Hz.

Using this filtering method, the bass portion of the bass can be separated from the vocal track to adapt it to its own proper frequency response range so that it does not interfere in frequency bands with other accompaniment instruments. It also helps weaken some rupture sounds (popping noise and other consonants), making it less noticeable. A good filter should filter them all out. Of course, most vocals do not usually do anything below the 160 or so cycle, so cutting that part off does not cause much damage. Second, the attenuation of 4 to 6 dB over a frequency range of about 125 to 240 Hz is intended to allow the removal of human voices from the acoustic area of ??the kick drum / bass / drum. You know, what you cut off too much may cause the voice to be particularly thin, so you should cut it step by step, every time. In addition, even in the same song, cut the band range and cut how much should be based on the singer and suit one's measures. In some downmixes, the main track is a perfectly flat voice, or just a small amount of equalization as you type. Sometimes, however, a song may change a lot in itself, and a singer may Beats By Dre On Sale suddenly lower or raise an octave in a few bars, which requires adding an equalizer to match the rest of the song . Depending on the equipment used, there are many ways to make equalizer adjustments in real time. If you are using an analog mixer, the usual method is to divide the human track into Two mixer channels, each equalizer Equalizer to alternate settings, the same can also play the same role. You can either use the console's channel insertion switch or you can use the equalizer's control buttons to easily turn the insertion function on or off. All this is much easier if you are using an automated digital mixing console because it allows you to set automatic equalizer changes so there's no need to split the signal into two channels. The same is true if using digital audio workstations. Regardless of the device you use, you should choose a relatively clean space in your music (if you do not stop, then the singer's breathing point should be the better choice) to make the change settings so that no pops will sound. Throughout the song, you can make multiple changes based on the song's needs.